Canadian Shakespeare News

Recent Media Stories on the Sanders Portrait Symposium and Sale

Following upon the November 28, 2013 Symposium “Look Here Upon this Picture: A Symposium on the Sanders Portrait of Shakespeare”, held at the Munk Centre, University of Toronto, a number of media outlets have released stories or done full-length radio shows about the Sanders Portrait:

Canadian family to buy portrait at centre of Shakespeare art mystery (Globe & Mail)

Faces of Our Ancestors a Reflection of Ourselves (Guelph Mercury)

The Sanders Portrait of Shakespeare: Interviews and Discussion (CFRU Radio featuring Andrew Bretz, Daniel Fischlin, John Kissick, and Diane Nalini)

CBC: The Morning Edition (December, 2013 with Craig Norris)

Social Media on Storify (December 2013)

As It Happens (CBC December 16, 2013)

SANDERS PORTRAIT Duration: 00:06:53
Members of the Sullivan family were sure they were living with William Shakespeare. The problem was convincing anyone else.The Sullivans were the owners of what they believed to be the one and only true portrait of Shakespeare, painted by an ancient relative. But it was tough to know what exactly to do with the treasure.Lloyd Sullivan has been fighting for decades to prove to the world his painting is indeed an authentic likeness of the great writer. Many experts now agree that the Sanders Portrait is indeed Shakespeare — but either way, it’s a battle Lloyd will no longer have to fight: a deal is being brokered for the sale of the painting to an unknown Canadian buyer.We reached Lloyd Sullivan at his home in Ottawa.

Canadian-owned painting purported to be only life-likeness of Shakespeare changing hands  (Steve Mertl, Yahoo News Canada)

Shakespeare portrait sale has major U of G connection (Guelph Mercury, December 16, 2013)

Canadian man said to own only portrait of Shakespeare (The Ontarian, December 5, 2013)

Conference Explores Origins of Shakespeare Portrait (Andrew Vowles, January 16, 2014)

OUP offers Shakespeare series with a Canadian twist


OUP offers Shakespeare series with a Canadian twist

Less than a year after officially shuttering its Canadian trade division, Oxford University Press has released a new series of Shakespeare’s plays with crossover appeal and a distinctly Canadian twist. The Shakespeare Made in Canada series edited by Daniel Fischlin comprises Shakespeare plays paired with introductions by Canadian scholars. Each text also includes a preface by an artist who has been involved with the adaptation of a Shakespearean work in Canada, as well as explanatory notes and reading tips. The first titles in the series are Romeo and Juliet and The Tempest, and Hamlet and A Midsummer Night’s Dream are already in the works.

In accordance with OUP Canada’s new “curriculum-based” focus, the series is designed to serve as a teaching text for Canadian undergraduate students, though acquiring editor Jennie Rubio says she expects it to received interest from theatregoers and other non-academic consumers.

The series’ genesis was aided by the Canadian Adaptations of Shakespeare Project at the University of Guelph, a research venture focusing on how Canadians have historically read and reproduced works by the Bard. The project team, led by general editor of the Shakespeare Made in Canada series, Daniel Fischlin, selected the titles for publication from their archives.

“They’ve done a ton of research on how we’ve adapted Shakespeare from the 1760s … adaptations by new settlers, Aboriginals, and French-English ones,” Rubio says. “There are just a lot of interesting things and insights that have come from Canadian productions and this incredible diversity in how Canadians have made these adaptations over time.”

A further Canadian link is showcased on the cover of each title in the series, which depicts what is believed to be the only sitting portrait of Shakespeare painted during his lifetime. The painting, known as the Sanders portrait of Shakespeare, belongs to a Canadian family that emigrated from England in the 19th century. A conference discussing the portrait, to be held at the University of Toronto on Nov. 28, coincides with the series’ release.

“It’s a weird Canadian connection,” says Rubio. “Shakespeare’s work is almost as Canadian as it is British by now, because we’ve done so much adaptation.”

OUP plans to see how well the series succeeds before deciding to move forward with additional titles, though Rubio says Othello may be next in line and has a personal preference for As You Like It.

Experts to Debate, Discuss Canadian Portrait of Shakespeare

Experts to Debate, Discuss Canadian Portrait of Shakespeare

November 27, 2013 – News Release

The face of William Shakespeare and its ties to the University of Guelph are the focus of an unprecedented conference being held in Toronto this week.

“Look Here Upon This Picture: A Symposium on the Sanders Portrait of Shakespeare” will share evidence gathered by U of G experts and others showing that a Canadian man owns the only portrait of William Shakespeare painted while the playwright was alive.

Thought to depict the Bard at age 39, the Sanders portrait is owned by Ottawa resident Lloyd Sullivan, a friend and supporter of U of G.

“The University of Guelph has played a key role in the analysis of the Sanders portrait,” said president Alastair Summerlee.

“After many years of effort, we are now prepared to share an insider’s view of how this research can enhance the world’s understanding of the impact of the Bard.”

It’s believed that Shakespeare sat for an ancestor of Sullivan’s, an actor and painter named John Sanders, in 1603. The portrait was held in the family for 400 years and at one time was stored under Sullivan’s grandmother’s bed. Sullivan inherited it from his mother in 1972.

The Sanders portrait was the centrepiece of a months-long exhibit at Guelph’s Macdonald Stewart Art Centre in 2007. It’s also the signature image of U of G’s Canadian Adaptations of Shakespeare Project (CASP), the world’s largest and most complete website about Shakespeare’s cultural influence.

CASP was founded and directed by Guelph English professor Daniel Fischlin, who has spent the past decade helping to authenticate the portrait and trace family connections between Shakespeare and Sullivan’s ancestors.

“We embarked on this journey to find the truth,” Fischlin said. Referring to scientific, historical and genealogical evidence, he said, “The cumulative weight of it is unprecedented and makes the portrait the rarest of all art commodities: the only image of Shakespeare painted during his lifetime that has survived the period. No portrait comes close or has faced the same degree of interdisciplinary scholarly scrutiny.”

The symposium, sponsored by U of G and CASP, will be held Thursday from 9:30 a.m. to 5 p.m. at the Munk School of Global Affairs in Toronto.

Speakers will discuss the history of the portrait and Shakespeare’s presence in Canada. Besides Summerlee and Fischlin, the symposium will include U of G professors John Kissick, director of the School of Fine Art and Music and a respected painter; and Robert Enright, University Research Professor in Art Criticism and one of Canada’s most prominent cultural journalists.

Panel discussions and talks will also feature journalists, scholars, gallery directors, museum curators, filmmakers, historians and costume designers discussing everything from the portrait’s provenance and context to its value and legacy.

“It’s in the best public interest to move this portrait into the public domain where ongoing research and debate can continue,” Summerlee said.

“Canadians also should be able to access this wonderful image in a properly curated setting. We hope that this symposium plays a prominent role in making that happen.”

More than a dozen forensic tests have confirmed that the Sanders painting dates from around 1600 and has remained unaltered. They include tests of ink from a hand-written inscription on a label identifying the subject as William Shakespeare and listing his birth and death dates.

Working with British genealogist Pam Hinks, Fischlin and his team have uncovered relations between Sullivan and Shakespeare and his closest associates that extend back thirteen generations. With Hinks, Fischlin and his research team have visited gravesites, uncovered and transcribed historical documents, examined major historical archives in the U.K., and interviewed Sullivan’s relatives. The full results of that work will be outlined at the symposium.

Fischlin learned about the Sanders portrait while seeking original Canadian adaptations of Shakespeare for CASP. He contacted Sullivan and obtained the right to use the image.

In 2006, the portrait was part of “Searching for Shakespeare,” an international exhibit by the National Portrait Gallery in London that toured North America. It joined the gallery’s famed Chandos painting and four other early “contenders” purporting to represent Shakespeare.

The Sanders portrait was also the subject of the 2001 book Shakespeare’s Face and of award-winning Canadian documentarian Anne Henderson’s 2008 film Battle of Wills.

Prof. Daniel Fischlin
School of English and Theatre Studies
519 824-4120, Ext. 53267

Three Films on Shakespeare and London

In association with the London Metropolitan Archives, CASP is pleased to make available three short films curated and made by the London Metropolitan Archives (LMA) as part of its 2013 exhibit, “Shakespeare and London” (see Shakespeare and London Programme).

Sincere thanks to London Metropolitan Archives Archivist David Baldwin for making these informative films available to CASP in conjunction with the CASP-organized conference, “Look here upon this picture:” A Symposium on the Sanders Portrait of Shakespeare (November 28, 2013).

We also thank Principal Archivist, Laurence Ward and Imaging and Media Officer, Richard Green for the instrumental roles they played in the filming, editing, and narration of these films, the first to document in any detail Shakespeare’s presence in London.

The three films address:

1. Shakespeare in the City (of London)

From memorials to street names, statues to tower blocks, William Shakespeare is present in London in ways that very few people achieve. This film explores his on-going presence in the landscape of the city.

2. The Shakespeare Deed

Providing more information on the deed and property William Shakespeare purchased, this short film shows close up views of the document and signature, images and maps of the Blackfriars area as well as present day views of the location.

3. Theatres in Shakespeare’s London

Starting with the playhouses that Shakespeare would have known and worked in, this film looks at the development of London’s theatres with a particular focus on theatres and companies developed to showcase his plays.

These detail Shakespeare’s general presence in London and include a focus on the remarkable deed held by the LMA that relates to the 1613 purchase by William Shakespeare of a property in Blackfriars, close to the Blackfriars Theatre and just across the river from the Globe Theatre. They also lay out in detail the specifics of where Shakespeare lived during his time in London and the ex of his involvement with different theatres in different locations across the city.

Copyright of these films is held by the London Metropolitan Archives and they are not to be copied, disseminated, or distributed without the express permission of the London Metropolitan Archives. CASP gratefully acknowledges the LMA’s permission to reproduce the films in this context as an adjunct to the symposium on the Sanders Portrait of Shakespeare.

The London Metropolitan Archives (LMA) is a public research office in central London which stores records about every aspect of life in the capital dating back to 1067. Holding over 100km of records, the archives are free and open to everyone. You can find out more by visiting the LMA website at––or by following the LMA  on Twitter (
or liking the LMA on Facebook (

Shakespeare and London Films

Look Here Upon this Picture: A Symposium on the Sanders Portrait of Shakespeare

“Look here upon this picture:”

A Symposium on the Sanders Portrait of Shakespeare

sanders_1After many years of persistent effort the University of Guelph is delighted to announce “Look here upon this picture:” An International Symposium on the Sanders Portrait of Shakespeare, to be held on Thursday, November 28, 2013 at the Vivian and David Campbell Conference Facility (Munk School of Global Affairs, University of Toronto, 1 Devonshire Place, Toronto, ON).

The symposium will be the premier event for anyone who loves Shakespeare and realizes the enormity of his contribution to the cultural life of this planet. The University of Guelph has played a key role in the analysis of the Sanders Portrait of Shakespeare and is now prepared to share an insider’s view of how this research plays a significant role in the world’s understanding of the impact of the Bard.

The symposium will:

  • make the results of the most recent research on the Portrait public, in an open forum where informed debate can occur with some of the world’s leading experts on the portrait
  • rectify the deplorable lack of attention that has been paid to a singular image of Shakespeare that has substantial amounts of evidence associated with it – evidence that no other so-called “contender” portrait has
  • demonstrate the University of Guelph’s longstanding commitment to bridging the gap between academic research and public interest, in an attempt to move the portrait from private ownership into the public domain.

Following the unveiling of the portrait and a presentation of the scientific documentation proving that the portrait dates back to the early 1600s, three panels of experts will address the curatorial and media response to the findings, the provenance and contextual arguments for its authenticity, and the market value of this unique treasure.

Owned by a Canadian, it is in the best public interest to move this portrait from private ownership into the public domain where ongoing research and debate can continue and where Canadians can access this wonderful image in a properly curated setting.

Refreshments and lunch will be provided, co-sponsored by Oxford University Press (Canada). The event will also mark the launch of the new Oxford University Press series Shakespeare Made in Canada, whose General Editor is Daniel Fischlin, a University Research Chair in the School of English and Theatre Studies at the University of Guelph. The series features the Sanders Portrait prominently as part of its cover design.

For more background on the conference see the recent Globe & Mail article by James Adams: Reputed Shakespeare portrait prepares to strut upon the world stage.

See also, “Experts to Debate, Discuss Canadian Portrait of Shakespeare.”

For more information on Shakespeare’s presence in London click here to view three films made by the London Metropolitan Archives for their 2013 exhibit  “Shakespeare and London.”

Due to  limited space and exceptional demand to attend the “Look here upon this picture”: A Symposium on the Sanders Portrait of Shakespeare is by invitation only. To inquire about the availability of seating please contact: Click on the link below to access a .pdf of the full conference program.

Shakespeare Program PDF: Look Here Upon This Picture: A Symposium on the Sanders Portrait of Shakespeare 

Conference Schedule:

Date: Thursday, November 28, 2013
Location: The Campbell Conference Facility, Munk School of Global Affairs

Morning Sessions:

9:30 – Unveiling the Portrait / Facing the Truth
Opening Remarks by Dr. Alastair Summerlee (President and Vice-Chancellor, University of Guelph)
Introduction by Dr. Daniel Fischlin (University Research Chair, School of English and Theatre Studies)

9:45-10:05 – The Scientific Evidence: Reading the Wood, Paint, Paper, Glue
Dr. Marie-Claude Corbeil (Senior Conservation Scientist, Canadian Conservation Institute)

10:05-10:30 – The Internal Evidence: Fashioning Shakespeare
Jenny Tiramani (former Costume and Stage Designer Shakespeare’s Globe, The School of Historical Dress)

10:30-10:45 Q&A

10:45-11:00 – Refreshments

11:00-11:45 – Reception History and Media: The Portrait as Story Machine
Moderator: John Kissick (Independent Artist and Director of the School of Fine Art and Music)
Robert Enright (University Research Chair, School of Fine Art and Music); James Adams (Globe & Mail);
Anne Henderson (Director/Writer Arcady Films/InformAction Films)

11:45-12:00 Q&A

12:00-1:00 – Oxford University Press Luncheon hosted by Jen Rubio (Oxford University Press Acquisitions Editor)

Afternoon Sessions:

Moderator: Dr. Irena Makaryk (University of Ottawa)

1:00-1:45 – Provenance and Context: Tracing Histories of Interconnection
Dr. Daniel Fischlin and Dr. Andrew Bretz (University of Guelph)

1:45-2:30The Sanders Portrait as Painting: An Art Historical Perspective
Lloyd DeWitt (Curator of European Art, Art Gallery of Ontario [AGO])

2:30-3:00 – Refreshments

3:00-4:10 – What’s the Value of Priceless? Hard Dollars vs. Legacy Issues
Moderator: Dr. Lilly Koltun (Former Director General, Portrait Gallery of Canada)
Kathryn Minard (International Society of Appraisers); David Loch (founder and owner of Loch Galleries); Dr. Jane Freeman (University of Toronto)

4:10-4:30 Q&A

4:30 – Closing Remarks: What’s Next?
Dr. Alastair Summerlee

5:00 – Reception

Recently Posted Entries (2012) to the CASP Database

Work on the CASP database updates that have been backlogged continued over the Summer of 2012 with significant new entries now posted and listed below with hyperlinks. Please note that the CASP database will be undergoing a major renovation in early 2013  to address issues with diacriticals causded by Cold Fusion, our current platform. Stay posted for an update once the new platform has been implemented.

Summer 2012 Additions to the CASP DATABASE:

King Lear (2012) by Peter Hinton and August Schellenberg

Hamlet (2012) by Kevin O’Day – National Ballet of Canada

Shakespeare’s Will (2007 & 2011) by Vern Thiessen [updated]

MacHomer (2012 ) by Rick Miller [updated]

Henry V (2012) by Company of Fools

Mr. Shakespeare’s Bastard (2010) by Richard B. Wright

When That I Was (2008 & 2012) by John Mortimer and Edward Atienza [updated]

DEADLY SIN, Macbeth: A Cabaret (2011) by Paul Hopkins

Love’s Labour’s Lost (2005) by Corinne Jaber and Stephen Landrigan

Hamlet: An Opera (2007) by Mark Richards

Lucrece (2007) by Angus McLellan and Grayden Laing

Tout Shakespeare Pour Les Nuls (2005) by Jean-Guy Legault

Prospero (?) by NSJ

The Comedy of Errors (2010) by Peter Hinton

BASH’d: A Gay Rap Opera (2007) by Chris Craddock and Nathan Cuckow

The Other, Haitian Macbeth (2010) by Stacey Christodoulou

Romeo and Juliet (2005)

Twelfth Night (2007)

Macbeth (2006)

A Midsummer Night’s Dream (2006)

King Lear (2006)

Othello (2006)

Hamlet (2005) by Paul Illidge

No Beast So Fierce: A Retelling of William Shakespeare’s Tragedy of King Richard the Third (2011)

Crowns and Roses: Shakespeare’s Tales of the Lancasters and the Yorks (2011)

Plantagenet Plots: Shakespeare’s Stories of the Middle Ages (2010)

God’s Chosen King?: A Retelling of William Shakespeare’s Tragedy of King Richard II (2010)

Foreign Wars: A Retelling of William Shakespeare’s History of King Henry V (2010)

The Education of a Prince: A Retelling of William Shakespeare’s History of King Henry IV Part One (2010)

The Making of a King: A Retelling of William Shakespeare’s History of King Henry IV Part Two (2010) by K.L Green

Kill Shakespeare series (2010) by Conor McCreery and Anthony Del Col, with art by Andy Belanger

Othello (2008) by Zaib Shaikh and Matthew Edison

Hamlet (2011) by Bruce Ramsay

Tempest-Tost (1951) by Robertson Davies

The Tempest (2005) by Rod Carley

Henry V (2006) by Rod Carley

Othello (2012) by Kirk Peterson (Alberta Ballet)

Romeo and Juliet (2011) by Alexei Ratmansky (National Ballet of Canada)

Hamlet (In Tent City) (2010) by Judith Thompson

Tempest Round A Teapot (2005) by Karen Rickers

Hamlet (2007) by Joseph Pagnan

Teaching Hamlet (2011) by Kier Culter

Afghanada – Episode 20 (2010) by Greg Nelson, Adam Pettle, Andrew Moodie, and Jason Sherman – CBC Radio

Shakespeare for White Trash: A Midsummer Night’s Dream (2010)

Shakespeare for White Trash: Antony and Cleopatra (2011)

Shakespeare for White Trash: As You Like It (2011)

Shakespeare for White Trash: Coriolanus (2012)

Shakespeare for White Trash: Hamlet (2010)

Shakespeare for White Trash: Henry IV, Part I (2011)

Shakespeare for White Trash: Henry IV, Part II (2011)

Shakespeare for White Trash: Henry V (2011)

Shakespeare for White Trash: Henry VI, Part I (2011)

Shakespeare for White Trash: Henry VI, Part II (2012)

Shakespeare for White Trash: Henry VI, Part III (2012)

Shakespeare for White Trash: Henry VIII (2012)

Shakespeare for White Trash: Julius Caesar (2010)

Shakespeare for White Trash: King John (2011)

Shakespeare for White Trash: King Lear (2010)

Shakespeare for White Trash: Macbeth (2010)

Shakespeare for White Trash: Measure for Measure (2012)

Shakespeare for White Trash: Much Ado About Nothing (2010)

Shakespeare for White Trash: Othello (2010)

Shakespeare for White Trash: Richard II (2011)

Shakespeare for White Trash: Richard III (2010)

Shakespeare for White Trash: Romeo and Juliet (2010)

Shakespeare for White Trash: The Comedy of Errors (2011)

Shakespeare for White Trash: The Merchant of Venice (2010)

Shakespeare for White Trash: The Taming of the Shrew (2010)

Shakespeare for White Trash: The Tempest (2010)

Shakespeare for White Trash: The Winter’s Tale (2012)

Shakespeare for White Trash: Timon of Athens (2012)

Shakespeare for White Trash: Twelfth Night (2011) by Crad Kilodney

Amaluna (2012) by Fernand Rainville and Diane Paulus – Cirque de Soleil